Blog
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Robot Carnival stands as a remarkable achievement in anime history, presenting viewers with a vibrant anthology that weaves together diverse storytelling styles united by a single, compelling motif: robots. Released in 1987 and directed by Atsuko Fukushima, this experimental feature film comprises eight distinct segments, each crafted by different animators and directors, creating a kaleidoscopic…
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Album: となりのトトロ イメージ・ソング集 What happens when a composer known for sweeping orchestral arrangements decides to tell stories through voice instead of instruments? For Joe Hisaishi, this question led to one of animation music’s most unusual creative experiments: the My Neighbor Totoro Image Song Collection, featuring the touching track ‘Maigo’ (Lost Child). In 1987, as Studio…
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Album: 天空の城ラピュタ サウンドトラック ～飛行石の謎～ In the world of film scoring, few collaborations have been as fruitful as that between composer Joe Hisaishi and director Hayao Miyazaki. Yet even the most harmonious partnerships face moments of creative turbulence, and for Hisaishi, one particular piece from Castle in the Sky became his most challenging musical puzzle. “Moonlight…
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Park Seung-cheol’s ‘The Silver Twilight’ (1990) stands as a fascinating entry in the director’s body of work, representing a remake of his own 1979 film and drawing from the Korean animated tradition of “도깨비 방망이” (Goblin Bat). The film follows an imaginative premise: when the King of Monsters learns that rebel monsters are kidnapping innocent…
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Album: 天空の城ラピュタ サウンドトラック ～飛行石の謎～ In the summer of 1986, a quiet revolution was taking place in a modest recording studio. Joe Hisaishi sat before his Fairlight III synthesizer, meticulously matching musical phrases to animated sequences frame by frame. This wasn’t just composing—it was surgical precision applied to the art of emotion. Among the pieces emerging…
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Album: 風の谷のナウシカ イメージアルバム 鳥の人… What happens when a composer abandons everything audiences expect from film music? Joe Hisaishi discovered the answer while crafting ‘Ohmu’ for Nausicaä of the Valley of the Wind, creating not just a song but a new philosophy of how music can serve storytelling. The track ‘Ohmu’ from the image album ‘Nausicaä…
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In 2016, director Manabu Hirose presented audiences with an extraordinary cinematic journey into one of Earth’s final frontiers. Deep Ocean: Lights in the Abyss follows the remarkable NHK team that had previously achieved the unprecedented feat of capturing the first-ever footage of a live giant squid in its natural habitat. This documentary venture takes viewers…
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Album: Symphonic Suite “Kiki’s Delivery Service” Joe Hisaishi faced an unexpected creative dilemma thirty years after composing the original music for Kiki’s Delivery Service. How do you transform deliberately light, European-inspired melodies into a full symphonic experience without betraying their essential character? This question haunted the composer as he prepared ‘A Very Busy Kiki ~…
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When Fairlight Synthesizers Capture Lost Souls: Inside Joe Hisaishi’s Ethereal Score for Porco Rosso
Album: 紅の豚 サウンドトラック What happens when a composer must translate the heartbreak of a pilot lost to the clouds into music? For Joe Hisaishi, crafting ‘Lost Spirit’ for Porco Rosso’s soundtrack meant venturing into uncharted territory where jazz-age nostalgia meets ethereal synthesizer work. The result is a haunting piece that exemplifies how film music had…
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Director Yu Sanbonsuge’s 2025 film “Summer” represents a poignant meditation on youth, memory, and the passage of time. The narrative centres on a high school broadcasting club in Nishi-Izu, a region facing the quiet melancholy of institutional closure. As the school prepares to shut its doors next spring, the club members navigate what becomes their…
