Category: Song Reviews
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When Music Sees Through Different Eyes: Joe Hisaishi’s Revolutionary Approach in ‘Ohmu’
Album: 風の谷のナウシカ イメージアルバム 鳥の人… What happens when a composer abandons everything audiences expect from film music? Joe Hisaishi discovered the answer while crafting ‘Ohmu’ for Nausicaä of the Valley of the Wind, creating not just a song but a new philosophy of how music can serve storytelling. The track ‘Ohmu’ from the image album ‘Nausicaä…
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When Light European Melodies Transform: Joe Hisaishi’s Journey from Studio to Symphony
Album: Symphonic Suite “Kiki’s Delivery Service” Joe Hisaishi faced an unexpected creative dilemma thirty years after composing the original music for Kiki’s Delivery Service. How do you transform deliberately light, European-inspired melodies into a full symphonic experience without betraying their essential character? This question haunted the composer as he prepared ‘A Very Busy Kiki ~…
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When Fairlight Synthesizers Capture Lost Souls: Inside Joe Hisaishi’s Ethereal Score for Porco Rosso
Album: 紅の豚 サウンドトラック What happens when a composer must translate the heartbreak of a pilot lost to the clouds into music? For Joe Hisaishi, crafting ‘Lost Spirit’ for Porco Rosso’s soundtrack meant venturing into uncharted territory where jazz-age nostalgia meets ethereal synthesizer work. The result is a haunting piece that exemplifies how film music had…
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When Jazz Meets Animation: How Six Poems Shaped a Soundtrack
Album: 紅の豚 サウンドトラック What happens when a master animator hands a composer six mysterious poems and asks him to create magic? In the case of Studio Ghibli’s ‘Porco Rosso’ and its hauntingly beautiful track ‘At Summer’s End’ (Natsu no Owari ni), the answer reveals one of the most fascinating creative collaborations in film music history.…
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When Sketches Become Magic: Inside Joe Hisaishi’s Creative Laboratory
Album: 魔女の宅急便 イメージアルバム In the world of film music, few composers possess the ability to capture an entire world’s essence through simple melodic sketches. Joe Hisaishi’s “Lily and Jiji” from the Kiki’s Delivery Service Image Album stands as a fascinating window into this rare creative process—a piece that began as a rough musical sketch and…
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How Joe Hisaishi Captured European Magic in ‘Machi no Yoru’ Without Leaving Japan
Album: 魔女の宅急便 イメージアルバム When Joe Hisaishi sat down to compose the image album for Kiki’s Delivery Service in the late 1980s, he faced an unusual creative challenge. Tasked with capturing the essence of “somewhere European, perhaps around the Mediterranean” without ever having scored a film set in such a location, he would craft one of…
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When Poetry Meets Jazz: How Six Poems Shaped Studio Ghibli’s Most Adult Soundtrack
Album: 紅の豚 イメージアルバム In the spring of 1992, Hayao Miyazaki handed Joe Hisaishi six handwritten poems. These weren’t lyrics to be set to music, but something far more intriguing—emotional blueprints for what would become one of Studio Ghibli’s most sophisticated soundtracks. Among the verses titled ‘Flying Boatman’s Tango,’ ‘Ascent,’ ‘Adriatic Sea at Twilight,’ ‘Night Flight,’…
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When Mandolins Tell Stories: Inside the Musical World of Porco Rosso’s Factory Women
Album: 紅の豚 サウンドトラック In the sprawling soundscape of Joe Hisaishi’s score for Porco Rosso, one track stands out as a perfect microcosm of how thoughtful musical choices can transport listeners across time and geography. “Piccolo no Onna-tachi” (The Women of Piccolo) emerges as more than just background music – it’s a masterclass in period authenticity…
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When Music Walks on Four Paws: Joe Hisaishi’s Portrait of an Old Dog
Album: 魔女の宅急便 サントラ音楽集 In the bustling world of Studio Ghibli’s ‘Kiki’s Delivery Service,’ where young witches soar through European skies and magic fills every corner, there exists a quieter moment of pure musical poetry. Joe Hisaishi’s track ‘Jeff’ captures something most film composers overlook: the unhurried dignity of an aging dog. Through the gentle voice…
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When European Folk Dances Met Studio Ghibli Magic: How ‘Shigoto Hajime’ Captures Kiki’s First Day
Album: 魔女の宅急便 サントラ音楽集 In the summer of 1989, composer Joe Hisaishi faced an impossible deadline. Fresh off a plane from New York, he had just two days to prepare for recording sessions that would complete one of Studio Ghibli’s most beloved soundtracks. Among the pieces he crafted during this whirlwind period was ‘Shigoto Hajime’ (Work…
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