Blog
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Album: となりのトトロ サウンドトラック集 Creating music for a film about childhood wonder presents a unique challenge: how do you avoid making something that sounds like mere children’s entertainment? This dilemma sat at the heart of Joe Hisaishi’s work on My Neighbor Totoro, particularly evident in the gentle track ‘Yokatta ne’ (How Wonderful) from the film’s soundtrack…
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Album: となりのトトロ イメージ・ソング集 What happens when a film composer abandons traditional scoring methods and creates an entire album of songs before a single frame is animated? Joe Hisaishi’s work on ‘My Neighbor Totoro’ provides a fascinating answer, revealing a creative process that turned conventional soundtrack production on its head. In 1987, when Hayao Miyazaki approached…
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Album: となりのトトロ サウンドトラック集 Picture a giant cat with glowing eyes racing through the night forest, its hollow belly serving as a mystical passenger compartment. This is the Cat Bus from My Neighbor Totoro, one of Studio Ghibli’s most beloved creatures, and Joe Hisaishi faced a unique challenge when scoring its magical appearances. How do you…
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Album: Symphonic Suite “Kiki’s Delivery Service” Thirty years after its creation, Joe Hisaishi found himself facing an unexpected dilemma. How do you transform a deliberately light European-style composition into a full symphonic suite without betraying its original spirit? This question haunted the renowned composer as he approached the monumental task of reimagining his score for…
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Album: 紅の豚 イメージアルバム The year was 1991, and Joe Hisaishi found himself living in two worlds simultaneously. While composing for Hayao Miyazaki’s upcoming film ‘Porco Rosso’, he was also deep into creating his personal album ‘My Lost City’, inspired by F. Scott Fitzgerald’s works and set in the roaring twenties. Little did he know that…
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Album: Symphonic Suite “Kiki’s Delivery Service” Thirty years after its creation, Joe Hisaishi found himself wrestling with a creative dilemma that would challenge everything he believed about his own music. How do you transform something deliberately crafted to be light and breezy into a full symphonic experience without losing its essential soul? This question haunted…
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Album: 天空の城ラピュタ サウンドトラック ～飛行石の謎～ In July 1986, inside a cramped studio filled with the hum of cutting-edge Fairlight III synthesizers, Joe Hisaishi faced an unprecedented challenge. Before him lay the rush film footage of “Laputa no Houkai” (The Collapse of Laputa), one of the most intense sequences in Hayao Miyazaki’s Castle in the Sky. Unlike…
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Album: 魔女の宅急便 イメージアルバム Picture this: Joe Hisaishi sitting at his synthesizer in the late 1980s, crafting melodies that would need to capture the essence of a young witch learning to fly. Among the tracks he composed for the Kiki’s Delivery Service image album was “Tonbo-san” (Mr. Dragonfly), a piece that perfectly encapsulates the collaborative magic…
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Album: 魔女の宅急便 サントラ音楽集 Picture this: a composer returns from New York recording sessions, jet-lagged and exhausted, only to discover he has mere weeks to complete an entire film score. For most musicians, this would spell disaster. For Joe Hisaishi in 1989, it became the catalyst for one of his most beloved soundtracks – the music…
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Album: 魔女の宅急便 イメージアルバム Picture this: you’re a composer working on one of the most beloved animated films of all time, but you’re simultaneously juggling a solo album recording in New York. Time is running out, deadlines are looming, and somehow you need to capture the essence of a young witch’s journey through a European coastal…